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Estudios Públicos: N° 86, 2002. DANCE OF THE PENDULUM Carlos Franz (author)

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In this essay, Carlos Franz focuses on the pessimism that predominates at the turn of century in Chile. He argues that the present national dilemma —a special case of a very Latin American phenomenon— involves two extremes of spirit: foundational utopianism and vehement fatalism. These two categories help explain a constant that runs through our history, namely the succession of foundational enthusiasms that quickly get abandoned at the hands of indignant disappointment. Utopians display an exaggerated faith in sudden and total solutions for all our ills, which is peculiar to the enthusiasm of beginnings. This is dangerous because its price, when utopia is slow to arrive, is a swing to vehement fatalism that wants to condemn us to a chronic state of backwardness. In the end, as an antidote to these utopian or fatalistic extremes, the author proposes a "new social tone", an attitude of "ironic moderation".


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Estudios Públicos :: Index by Subject :: Politics :: Political History of Chile Estudios Públicos :: Index by Subject :: Culture and Society :: Utopian Thought Estudios Públicos :: Index by Number :: Estudios Públicos Nº 81-90 :: Estudios Públicos Nº 86
The material in this site can be only reproduced in accordance with Article 38 of the Chilean Law 17.336 on Copyright. Copyright Centro de Estudios Públicos © Santiago, Chile, 2011.

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CENTRO DE ESTUDIOS PÚBLICOS
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The material in this site can be only reproduced in accordance with Article 38 of the Chilean Law 17.336 on Copyright. Copyright Centro de Estudios Públicos © Santiago, Chile, 2011.
Permitida su reproducción en conformidad al artículo 38 de la Ley 17.336 sobre Propiedad Intelectual. Derechos reservados Centro de Estudios Públicos © Santiago, Chile, 2011.
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Todos los contenidos de este sitio web son responsabilidad de sus respectivos autores, y no reflejan necesariamente la opinión de su editor ni del Centro de Estudios Públicos.
Editor de contenidos: Lucas Sierra I. - Editor gráfico: David Parra A.